"Eve of Destruction" was so present on the airwaves at its height in 1965 that as it ended play on one station, it would start up on another, a dominating hit single which charted higher than any protest song written by Bob Dylan, the man whose own "Masters of War" must have inspired P.F. Sloan's classic protest song. Dylan's "Like a Rolling Stone" came close, stalling under the upper reaches of the Top 40 two weeks before McGuire grabbed the brass ring. McGuire even cut "Master's of War," appearing on his 1994 One Way Records Anthology album and evidence of the typecasting which decimated what should have been a huge radio presence beyond this title track and first and only hit. Five years before Ricky Nelson would chart with Dylan's "She Belongs to Me," McGuire makes it the first of two Dylan covers, throwing the similarities right in the listener's face. A Steve Barri/P.F. Sloan title, "You Never Had It So Good," follows that, and the theme and model becomes a bit redundant. Sure, people had commercialized the songs of Bob Zimmerman, but not to the extent where the man behind Carole King's eventual solo success, Lou Adler, along with the Grass Roots' initial production team of Sloan and Barri, would take a former New Christy Minstrel and turn him into a radio-friendly copy of the world-famous protest singer. Engineer Bones Howe, P.F. Sloan, Barri, and McGuire redesign the traditional "Sloop John B," a version that is much different from the Beach Boys', and it's a wise move which backslides and is eradicated as they go after Dylan's "Baby Blue," truly branding the innovative soul that is Barry McGuire. At least his reading of Sylvia Fricker's "You Were on My Mind" is original enough, though McGuire can't hit the notes the We Five's Beverly Bivens easily reached. The pulsating cover of the Ian & Sylvia tune doesn't come close to the We Five's arrangement and majesty which charted simultaneous with "Eve of Destruction," but it works so much better than the "imitation Bob" which permeates this package. The Beach Boys took the traditional "Sloop John B" Top Three in 1966, but McGuire did it first, and he also pre-dated Gladys Knight with a version of the standard "Try to Remember" ten years before she brought the title to popular radio. It is these three notable other covers which succeeded for Barry McGuire and indicated his potential. The man has tons of talent, as witnessed on his Christian albums like Lighten Up, and the dark sounds of his classic moment in the sun and gravelly voice (which probably influenced Alex Chilton) deserved much more success.
Genre - Rock
Styles - Folk Rock, Psychedelic, AM Pop
Time - 38:14
Format - mp3@320 Kbps
Size - 99 mb
Tracks
01. Eve of Destruction
02. She Belongs to Me
03. You Never Had It So Good
04. Sloop John B.
05. Baby Blue
06. The Sins of a Family
07. Try to Remember
08. Mr. Man on the Street [Act One]
09. You Were on My Mind
10. Ain't No Way I'm Gonna Change My Mind
11. What Exactly's the Matter With Me
12. Why Not Stop & Dig It While You Can
Credits
Barry McGuire (bass, guitar, vocals)
Tommy Tedesco, P.F. Sloan (guitar)
Larry Knechtel (bass)
Steve Barri (percussion)
Hal Blaine (drums)
Label
MCA Records, 1965
1 comentarios:
My first experience of the voice of Barry McGuire came when I heard The New Christy Minstrel's "Green Green" on a small transistor radio and that gravel voice just exuded a "pentecostal joy"! I became an avid follower of The new Christy Minstrels from that day on. The the inevitable happened as the talents contained within that "mini-minstrel chorus" began to expand beyond the limitations of that folk genre. Barry McGuire was one of the major talents to erupt out from that group with his solo album and conscience shaking hit single, "Eve Of Destruction". Barry's exuberance remained but bubbled up with current social commentary and the awakening "self-awarness" of the new generation's new way of thinking and approaching the world. Protest? . . . probably more a flagrant affirmation album! P.F. Sloane and Bob Dylan penned songs appear with the Mcguire delivery. One track does mark this album as being very special however. Barry recorded one of the most moving and sensitive renderings of the song, "Try To Remember" ( from The Fantastiks). This cd is worth owning for that one track alone! No one has ever recorded this song any better or with more feeling for the poetic nostalgic longing lyric. And all of these years later, as Barry and the rest of us have all added on the years, this one Mcguire delivery holds even more respect and appreciation. Thanks to Barry Mcguire for "all" of the music he has brought to us through every phase of his career and every incarnation . . . and for this "classic" album which STILL speaks to our world today: "Eve Of Destruction".